Rachel Kiyo Iwasaa speaks about the aesthetics and practicalities of writing for a speaking pianist. Through the presentation, Rachel will also demonstrate successful examples of this unique fusion of poetry and music.
Webinar presented by Simon Martin on different techniques and theories on natural harmony.
An open-ended discussion with one of Canada’s leading string quartets
Contemporary approaches to jazz harmony
A guide to new understandings of musical perception and the potential for immersive composition
An introduction to the basics of ASMR in a compositional context
An exploration of Middle Eastern modes within the context of contemporary music.
The CLC presents “Storytelling and Song”, with Raymond Sewell, l’nu poet, singer-songwriter, and English professor from Pabineau, First Nation, New-Brunswick.
An introduction to new approaches for teaching creative music and composition in the classroom.
An overview of compositional and performance techniques for electric guitar
Quasar presents the principal aspects of contemporary saxophone composition: acoustics, methods of playing, notation, etc.
An overview of the harpsichord and applicable contemporary techniques
A guide to composing for the harp
A guide to best practices for percussion writing
An overview of the classical guitar in the context of contemporary music
An overview of contemporary approaches to composing for trumpet
A deeper understanding of voice as a medium, and the composer’s relationship to their voice
If you’re someone who has struggled with mental issues related to your artistic practice, or you’ve struggled to navigate and access mental health services (particularly those available on a sliding scale), then please watch this important workshop.
Want to know how to organize a concert? Where to start? What happens when you book a venue? Check out this webinar with Paolo Griffin!
Members of the Odin Quartet, Composer/Cellist Samuel Bisson will discuss their approach to running a rehearsal of a new piece both from the perspective of composer and ensemble. Focus will be on how to most effectively convey your ideas in a rehearsal setting, how to approach asking for changes, and what to be listening for.
Abigail Richardson-Schulte gives us an inside look at what goes in the jury room, what adjudicators look for (or look out for!), and provide you with tips on how to best maximize your application’s chance of success.
Bekah Simms tells us everything about recording a musical album.
Alexandre David tells us everything about recording a musical album.
A guide to better grant-writing (in English)
A guide to best practices for producer-composer collaboration
Nick Storring discusses the ins and outs of publicity and promotion for independent composers and musicians.
A guide to best practices for orchestral score preparation in the digital age
Consultant Clément Topping gives a talk on how to write grants and bursaries, and share his tips and tricks.
A comprehensive overview of our Model Commissioning Contract
A comprehensive overview of our Sync and Mechanical licensing report
An introduction to the world of DIY MIDI
An introduction to SuperCollider.
An introduction to the world of analogue synthesis and potential applications in contemporary music
An overview of Augmented Reality technology and it’s potential application to composition
A discussion of the aesthetic and technical issues surrounding online rehearsal and collaboration
If you’re someone who has struggled with mental issues related to your artistic practice, or you’ve struggled to navigate and access mental health services (particularly those available on a sliding scale), then please watch this important workshop.
Want to know how to organize a concert? Where to start? What happens when you book a venue? Check out this webinar with Paolo Griffin!
Rachel Kiyo Iwasaa speaks about the aesthetics and practicalities of writing for a speaking pianist. Through the presentation, Rachel will also demonstrate successful examples of this unique fusion of poetry and music.
Members of the Odin Quartet, Composer/Cellist Samuel Bisson will discuss their approach to running a rehearsal of a new piece both from the perspective of composer and ensemble. Focus will be on how to most effectively convey your ideas in a rehearsal setting, how to approach asking for changes, and what to be listening for.
Abigail Richardson-Schulte gives us an inside look at what goes in the jury room, what adjudicators look for (or look out for!), and provide you with tips on how to best maximize your application’s chance of success.
Bekah Simms tells us everything about recording a musical album.
Alexandre David tells us everything about recording a musical album.
Webinar presented by Simon Martin on different techniques and theories on natural harmony.
An overview of compositional and performance techniques for electric guitar
Quasar presents the principal aspects of contemporary saxophone composition: acoustics, methods of playing, notation, etc.
An overview of the harpsichord and applicable contemporary techniques
An introduction to the world of DIY MIDI
An introduction to SuperCollider.
A guide to better grant-writing (in English)
An open-ended discussion with one of Canada’s leading string quartets
A guide to composing for the harp
A guide to best practices for percussion writing
Contemporary approaches to jazz harmony
A guide to new understandings of musical perception and the potential for immersive composition
A guide to best practices for producer-composer collaboration
An overview of the classical guitar in the context of contemporary music
An introduction to the world of analogue synthesis and potential applications in contemporary music
An overview of contemporary approaches to composing for trumpet
An introduction to the basics of ASMR in a compositional context
An exploration of Middle Eastern modes within the context of contemporary music.
A deeper understanding of voice as a medium, and the composer’s relationship to their voice
A comprehensive overview of our Model Commissioning Contract
A comprehensive overview of our Sync and Mechanical licensing report
Nick Storring discusses the ins and outs of publicity and promotion for independent composers and musicians.
An introduction to new approaches for teaching creative music and composition in the classroom.
An overview of Augmented Reality technology and it’s potential application to composition
A guide to best practices for orchestral score preparation in the digital age
A discussion of the aesthetic and technical issues surrounding online rehearsal and collaboration
Consultant Clément Topping gives a talk on how to write grants and bursaries, and share his tips and tricks.
The CLC presents “Storytelling and Song”, with Raymond Sewell, l’nu poet, singer-songwriter, and English professor from Pabineau, First Nation, New-Brunswick.